Best Audioquest Optical 3M

The audio frontier is all abuzz these days with the pleasure possible though HDMI USB FireWire and Ethernet connections. However these current generation digital technologies are only part of the story just as the challenge of designing manufacturing and choosing the best analog interconnects and speaker cables is as important as ever. S/P-DIF is transmitted through Digital Coax and Toslink fiber optics (EIA-J) making them still some of the most important cables in electronic entertainment. While thanks to HDMI Toslink is not so often used to connect a DVD player to an A/V receiver Toslink connectors are common on cable-boxes TV sets subwoofers all sorts of products. For these many reasons AudioQuest has refined and renewed our line of serious high performance OptiLink cables. When the question is “how can a fiber-optic cable change the sound?” … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser firing into a vacuum all the light would stay straight arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem a 50% true loss would have no effect on sound quality. The problem is that the dispersed light does get through the cable but only after it has taken a longer path like a pool ball bouncing off the side-rails causing it to arrive later. This delayed part of the signal prevents the computer charged with decoding this information from being able to decode properly or even at all. The inability to decode shows first at higher frequencies (not audio frequencies this is a mono stream of digital audio information) so reduced bandwidth is a measurable signature of light being dispersed by a fiber. The punch line: The less dispersion in the fiber the less

AudioQuest Cinnamon OptiLink Optical Cable – 3m

While, thanks to HDMI, Toslink is not so often used to connect a DVD player to an A/V receiver, Toslink connectors are common on cable-boxes, TV sets, subwoofers, all sorts of products. And now, the 3.5mm Mini Optical connector, also somewhat incorrectly known as Mini-Toslink, is everywhere … from the 3.5mm dual-purpose headphone jack on a Mac laptop, to inputs on some of the finest portables. For these many reasons, AudioQuest has refined and renewed our line of serious high-performance OptiLink cables. All models and all lengths are now available Toslink- Toslink and Toslink – 3.5mm Mini Optical. When the question is “how can a fiber-optic cable change the sound?” … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser, firing into a vacuum, all the light would stay straight, arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent, the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem, a 50% true loss would have no effect on sound quality.

For these many reasons, AudioQuest has refined and renewed our line of serious high-performance OptiLink cables. All models and all lengths are now available Toslink- Toslink and Toslink – 3.5mm Mini Optical. When the question is “how can a fiber-optic cable change the sound?” … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser, firing into a vacuum, all the light would stay straight, arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent, the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem, a 50% true loss would have no effect on sound quality. The problem is that the dispersed light does get through the cable, but only after it has taken a longer path, like a pool ball bouncing off the side-rails, causing it to arrive later. This delayed part of the signal prevents the computer charged with decoding this information from being able to decode properly, or even at all. The inability to decode shows first at higher frequencies (not audio frequencies, this is a mono stream of digital audio information), so reduced bandwidth is a measurable signature of light being dispersed by a fiber. The punch line: The less dispersion in the fiber, the less distortion in the final analog audio signal presented to our ears.

The audio frontier is all abuzz these days with the pleasure possible though HDMI USB FireWire and Ethernet connections. However these current generation digital technologies are only part of the story just as the challenge of designing manufacturing and choosing the best analog interconnects and speaker cables is as important as ever. The S/P-DIF (Sony Philips Digital InterFace) which arrived in 1983 along with the CD is still very much a part of our world today. S/P-DIF is transmitted through Digital Coax and Toslink fiber optics (EIA-J) making them still some of the most important cables in electronic entertainment. While thanks to HDMI Toslink is not so often used to connect a DVD player to an A/V receiver Toslink connectors are common on cable-boxes TV sets subwoofers all sorts of products. And now the 3.5mm Mini Optical connector also somewhat incorrectly known as Mini-Toslink is everywhere from the 3.5mm dual-purpose headphone jack on a Mac laptop to inputs on some of the finest portables. For these many reasons AudioQuest has refined and renewed our line of serious high performance OptiLink cables. All models and all lengths are now available Toslink to Toslink and Toslink to 3.5mm Mini Optical. When the question is how can a fiber-optic cable change the sound? the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser firing into a vacuum all the light would stay straight arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude but amplitude is not the problem a 50% true loss would have no effect on sound quality. The problem is that the dispersed light does get through the cable but only after it has taken a longer path like a pool ball bouncing off the side-rails causing it to arri

AudioQuest’s Forest Punches Way Above its Weight Class A revolution in fiber optic cable design, AudioQuest Forest Optilink uses several highly polished polymer fibers instead of a single plastic conductor. These polymer fibers are more efficient at conducting light (information) giving Forest Optilink greater resolution and improved tonality over every other optical cable weve tried! Forest Optilink preserves TosLink’s great strengths of vanishingly low noise and zero mechanical noise, but offers something other TosLink cables can’t…dynamic range! Compared to standard TosLink cables, AudioQuest Optilink is a revelation, with surprising transient performance and excellent dynamic gradations. Optilink even outperforms similarly priced coaxial digital cables, with a smoother, more natural tonal palette and surprisingly deep black backgrounds. Often maligned as a low-performance digital interface, Toslink actually offers state-of-the-art optical S/PDIF resolution. Additionally, Toslink provides several key advantages, such as galvanic isolation and electrical isolation. And Toslink prevents introduction of RF interference over cable. The primary source of distortion in a fiber-optic cable is corruption of timing information. Imperfections in the optical fiber scatter the light information, leading to sound with less clarity and a need for more error correction. The superior fiber and finely polished optical interface of AudioQuest fiber-optic cable avoids these problems.

Audioquest Carbon 3M Optical Full to 3.5mm Toslink Cable19 Narrow-Aperture Synthetic FibersLow-Jitter (Digital Timing Errors)Precision Polished Fiber Ends

AudioQuest – Forest TosLink (Full to Full, 0.75m) OPEN BOX

OptiLink 3m 3.5mm / Optical Cable

The audio frontier is all abuzz these days with the pleasure possible though HDMI, USB, FireWire® and Ethernet connections. However, these current generation digital technologies are only part of the story, just as the challenge of designing, manufacturing and choosing the best analog interconnects and speaker cables is as important as ever. The S/P–DIF (Sony® Philips Digital InterFace), which arrived in 1983 along with the CD, is still very much a part of our world today. S/P–DIF is transmitted through Digital Coax and Toslink fiber optics (EIA–J), making them still some of the most important cables in electronic entertainment. While, thanks to HDMI, Toslink is not so often used to connect a DVD player to an A/V receiver, Toslink connectors are common on cable–boxes, TV sets, subwoofers, all sorts of products. And now, the 3.5mm Mini Optical connector, also somewhat incorrectly known as Mini–Toslink, is everywhere … from the 3.5mm dual–purpose headphone jack on a Mac laptop, to inputs on some of the finest portables.

Vodka Optical Cable Full-Size to Full-Size

While, thanks to HDMI, Toslink is not so often used to connect a DVD player to an A/V receiver, Toslink connectors are common on cable-boxes, TV sets, subwoofers, all sorts of products. And now, the 3.5mm Mini Optical connector, also somewhat incorrectly known as Mini-Toslink, is everywhere … from the 3.5mm dual-purpose headphone jack on a Mac laptop, to inputs on some of the finest portables.

For these many reasons, AudioQuest has refined and renewed our line of serious high-performance OptiLink cables. All models and all lengths are now available Toslink- Toslink and Toslink – 3.5mm Mini Optical.

When the question is "how can a fiber-optic cable change the sound?" … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser, firing into a vacuum, all the light would stay straight, arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent, the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem, a 50% true loss would have no effect on sound quality.

The problem is that the dispersed light does get through the cable, but only after it has taken a longer path, like a pool ball bouncing off the side-rails, causing it to arrive later. This delayed part of the signal prevents the computer charged with decoding this information from being able to decode properly, or even at all. The inability to decode shows first at higher frequencies (not audio frequencies, this is a mono stream of digital audio informa-tion), so reduced bandwidth is a measurable signature of light being dispersed by a fiber. The punch line: The less dispersion in the fiber, the less distortion in the final analog audio signal presented to our ears.

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